Franz Liszt, Budapest Symphony Orchestra, Karl Anton Rickenbacher, Leslie Howard

Liszt: Complete Piano Music 53 – Music for Piano & Orchestra I

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11/01/1998
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The tracks on this album

1.
Piano Concerto No. 1 in E-Flat Major, S. 124: I. Allegro maestoso. Tempo giusto
Franz Liszt, Budapest Symphony Orchestra, Karl Anton Rickenbacher, Leslie Howard
2.
Piano Concerto No. 1 in E-Flat Major, S. 124: II. Quasi adagio
Franz Liszt, Budapest Symphony Orchestra, Karl Anton Rickenbacher, Leslie Howard
3.
Piano Concerto No. 1 in E-Flat Major, S. 124: III. Allegretto vivace – Allegro animato
Franz Liszt, Budapest Symphony Orchestra, Karl Anton Rickenbacher, Leslie Howard
4.
Piano Concerto No. 1 in E-Flat Major, S. 124: IV. Allegro marziale animato
Franz Liszt, Budapest Symphony Orchestra, Karl Anton Rickenbacher, Leslie Howard
5.
Fantasie über Motive aus Beethovens "Ruinen von Athen", S. 122: I. Tempo di marcia. Moderato
Franz Liszt, Budapest Symphony Orchestra, Karl Anton Rickenbacher, Leslie Howard
6.
Fantasie über Motive aus Beethovens "Ruinen von Athen", S. 122: II. Cadenza del pianoforte – Allegro vivace ma non troppo – Allegro molto vivace – Cadenza del pianoforte
Franz Liszt, Budapest Symphony Orchestra, Karl Anton Rickenbacher, Leslie Howard
7.
Fantasie über Motive aus Beethovens "Ruinen von Athen", S. 122: III. Allegretto – Poco a poco più mosso – Vivo – Tempo di marcia. Animato – Più allegro – Presto
Franz Liszt, Budapest Symphony Orchestra, Karl Anton Rickenbacher, Leslie Howard
8.
Totentanz, S. 126/2: Introduction. Andante – Presto – Allegro – Allegro moderato
Franz Liszt, Budapest Symphony Orchestra, Karl Anton Rickenbacher, Leslie Howard
9.
Totentanz, S. 126/2: Var. 1. Allegro moderato
Franz Liszt, Budapest Symphony Orchestra, Karl Anton Rickenbacher, Leslie Howard
10.
Totentanz, S. 126/2: Var. 2. [L'istesso tempo] – Un poco animato
Franz Liszt, Budapest Symphony Orchestra, Karl Anton Rickenbacher, Leslie Howard
11.
Totentanz, S. 126/2: Var. 3. Molto vivace
Franz Liszt, Budapest Symphony Orchestra, Karl Anton Rickenbacher, Leslie Howard
12.
Totentanz, S. 126/2: Var. 4, "Canonique". Lento – Presto
Franz Liszt, Budapest Symphony Orchestra, Karl Anton Rickenbacher, Leslie Howard
13.
Totentanz, S. 126/2: Var. 5. Vivace. Fugato – Cadenza
Franz Liszt, Budapest Symphony Orchestra, Karl Anton Rickenbacher, Leslie Howard
14.
Totentanz, S. 126/2: Var. 6. Sempre allegro, ma non troppo – Un poco meno allegro – Cadenza – Presto – Allegro animato
Franz Liszt, Budapest Symphony Orchestra, Karl Anton Rickenbacher, Leslie Howard
15.
Grande fantaisie symphonique, S. 120 (On Themes from Lélio by Berlioz, H. 55): I. Lento
Franz Liszt, Budapest Symphony Orchestra, Karl Anton Rickenbacher, Leslie Howard
16.
Grande fantaisie symphonique, S. 120 (On Themes from Lélio by Berlioz, H. 55): II. Allegro vivace – Andantino, senza interruzione – Vivace animato
Franz Liszt, Budapest Symphony Orchestra, Karl Anton Rickenbacher, Leslie Howard
17.
Malédiction for Piano and Strings, S. 121: I. Quasi moderato – Sostenuto – Molto agitato – Calmato
Franz Liszt, Budapest Symphony Orchestra, Karl Anton Rickenbacher, Leslie Howard
18.
Malédiction for Piano and Strings, S. 121: II. Un poco più animato – Un poco agitato – Vivo – Sempre più di fuoco
Franz Liszt, Budapest Symphony Orchestra, Karl Anton Rickenbacher, Leslie Howard
19.
Malédiction for Piano and Strings, S. 121: III. Energico nobilmente – Sempre moderato, a tempo rubato – Sostenuto – Recit. Patetico. Senza tempo – Andante lacrimoso
Franz Liszt, Budapest Symphony Orchestra, Karl Anton Rickenbacher, Leslie Howard
20.
Malédiction for Piano and Strings, S. 121: IV. Animato con agitazione – Molto animato, quasi presto – Stretto – Strepitoso
Franz Liszt, Budapest Symphony Orchestra, Karl Anton Rickenbacher, Leslie Howard
21.
Piano Concerto in E-Flat Major, S. 125a (Ed. Rosenblatt/Howard): I. Andantino – Recitativo del pianoforte
Franz Liszt, Budapest Symphony Orchestra, Karl Anton Rickenbacher, Leslie Howard
22.
Piano Concerto in E-Flat Major, S. 125a (Ed. Rosenblatt/Howard): II. Allegro – Tempo primo
Franz Liszt, Budapest Symphony Orchestra, Karl Anton Rickenbacher, Leslie Howard
23.
Piano Concerto in E-Flat Major, S. 125a (Ed. Rosenblatt/Howard): III. Andante
Franz Liszt, Budapest Symphony Orchestra, Karl Anton Rickenbacher, Leslie Howard
24.
Piano Concerto in E-Flat Major, S. 125a (Ed. Rosenblatt/Howard): IV. Tempo primo – Allegro come prima
Franz Liszt, Budapest Symphony Orchestra, Karl Anton Rickenbacher, Leslie Howard
25.
Piano Concerto in E-Flat Major, S. 125a (Ed. Rosenblatt/Howard): V. Allegro vivace – Più mosso
Franz Liszt, Budapest Symphony Orchestra, Karl Anton Rickenbacher, Leslie Howard
26.
Grand solo de concert, S. 365: I. Allegro energico – Patetico – Agitato
Franz Liszt, Budapest Symphony Orchestra, Karl Anton Rickenbacher, Leslie Howard
27.
Grand solo de concert, S. 365: II. Grandioso
Franz Liszt, Budapest Symphony Orchestra, Karl Anton Rickenbacher, Leslie Howard
28.
Grand solo de concert, S. 365: III. Più mosso – Stretta
Franz Liszt, Budapest Symphony Orchestra, Karl Anton Rickenbacher, Leslie Howard
29.
Grand solo de concert, S. 365: IV. Andante, quasi marcia funèbre – Tempo giusto. Moderato – Allegro con bravura
Franz Liszt, Budapest Symphony Orchestra, Karl Anton Rickenbacher, Leslie Howard
30.
Hexaméron on "Suoni la tromba" from Bellini's I Puritani, S. 365b (Orch. Version): I. Inroduction. Extrêmement lent
Franz Liszt, Budapest Symphony Orchestra, Karl Anton Rickenbacher, Leslie Howard
31.
Hexaméron on "Suoni la tromba" from Bellini's I Puritani, S. 365b (Orch. Version): II. Theme. Allegro marziale
Franz Liszt, Budapest Symphony Orchestra, Karl Anton Rickenbacher, Leslie Howard
32.
Hexaméron on "Suoni la tromba" from Bellini's I Puritani, S. 365b (Orch. Version): III. Var. 1. Ben marcato (Thalberg)
Franz Liszt, Budapest Symphony Orchestra, Karl Anton Rickenbacher, Leslie Howard
33.
Hexaméron on "Suoni la tromba" from Bellini's I Puritani, S. 365b (Orch. Version): IV. Var. 2. Moderato
Franz Liszt, Budapest Symphony Orchestra, Karl Anton Rickenbacher, Leslie Howard
34.
Hexaméron on "Suoni la tromba" from Bellini's I Puritani, S. 365b (Orch. Version): Va. Var. 3. Di bravura, Allegro animato (Pixis)
Franz Liszt, Budapest Symphony Orchestra, Karl Anton Rickenbacher, Leslie Howard
35.
Hexaméron on "Suoni la tromba" from Bellini's I Puritani, S. 365b (Orch. Version): Vb. Ritornello
Franz Liszt, Budapest Symphony Orchestra, Karl Anton Rickenbacher, Leslie Howard
36.
Hexaméron on "Suoni la tromba" from Bellini's I Puritani, S. 365b (Orch. Version): VI. Var. 4. Legato e grazioso (Herz)
Franz Liszt, Budapest Symphony Orchestra, Karl Anton Rickenbacher, Leslie Howard
37.
Hexaméron on "Suoni la tromba" from Bellini's I Puritani, S. 365b (Orch. Version): VIIa. Var. 5. Vivo e brillante (Czerny)
Franz Liszt, Budapest Symphony Orchestra, Karl Anton Rickenbacher, Leslie Howard
38.
Hexaméron on "Suoni la tromba" from Bellini's I Puritani, S. 365b (Orch. Version): VIIb. Interlude 1. Fuocoso, molto energico – Lento, quasi recitativo
Franz Liszt, Budapest Symphony Orchestra, Karl Anton Rickenbacher, Leslie Howard
39.
Hexaméron on "Suoni la tromba" from Bellini's I Puritani, S. 365b (Orch. Version): VIIIa. Var. 6. Largo, KK IIb/2 (Chopin)
Franz Liszt, Budapest Symphony Orchestra, Karl Anton Rickenbacher, Leslie Howard
40.
Hexaméron on "Suoni la tromba" from Bellini's I Puritani, S. 365b (Orch. Version): VIIIb. Interlude 2. [L'istesso tempo]
Franz Liszt, Budapest Symphony Orchestra, Karl Anton Rickenbacher, Leslie Howard
41.
Hexaméron on "Suoni la tromba" from Bellini's I Puritani, S. 365b (Orch. Version): IXa. Finale. Molto vivace quasi prestissimo
Franz Liszt, Budapest Symphony Orchestra, Karl Anton Rickenbacher, Leslie Howard
42.
Hexaméron on "Suoni la tromba" from Bellini's I Puritani, S. 365b (Orch. Version): IXb. Finale. Allegro animato
Franz Liszt, Budapest Symphony Orchestra, Karl Anton Rickenbacher, Leslie Howard
43.
Polonaise brillante, S. 367 (After Weber, Op. 72): I. Introduzione. Adagio – Quasi andante – Animato
Franz Liszt, Budapest Symphony Orchestra, Karl Anton Rickenbacher, Leslie Howard
44.
Polonaise brillante, S. 367 (After Weber, Op. 72): II. Tempo di Polacca
Franz Liszt, Budapest Symphony Orchestra, Karl Anton Rickenbacher, Leslie Howard

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44

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11/01/1998

Piano Concerto No. 1 in E-Flat Major, S. 124: I. Allegro maestoso. Tempo giusto

Piano Concerto No. 1 in E-Flat Major, S. 124: II. Quasi adagio

Piano Concerto No. 1 in E-Flat Major, S. 124: III. Allegretto vivace – Allegro animato

Piano Concerto No. 1 in E-Flat Major, S. 124: IV. Allegro marziale animato

Fantasie über Motive aus Beethovens "Ruinen von Athen", S. 122: I. Tempo di marcia. Moderato

Fantasie über Motive aus Beethovens "Ruinen von Athen", S. 122: II. Cadenza del pianoforte – Allegro vivace ma non troppo – Allegro molto vivace – Cadenza del pianoforte

Fantasie über Motive aus Beethovens "Ruinen von Athen", S. 122: III. Allegretto – Poco a poco più mosso – Vivo – Tempo di marcia. Animato – Più allegro – Presto

Totentanz, S. 126/2: Introduction. Andante – Presto – Allegro – Allegro moderato

Totentanz, S. 126/2: Var. 1. Allegro moderato

Totentanz, S. 126/2: Var. 2. [L'istesso tempo] – Un poco animato

Totentanz, S. 126/2: Var. 3. Molto vivace

Totentanz, S. 126/2: Var. 4, "Canonique". Lento – Presto

Totentanz, S. 126/2: Var. 5. Vivace. Fugato – Cadenza

Totentanz, S. 126/2: Var. 6. Sempre allegro, ma non troppo – Un poco meno allegro – Cadenza – Presto – Allegro animato

Grande fantaisie symphonique, S. 120 (On Themes from Lélio by Berlioz, H. 55): I. Lento

Grande fantaisie symphonique, S. 120 (On Themes from Lélio by Berlioz, H. 55): II. Allegro vivace – Andantino, senza interruzione – Vivace animato

Malédiction for Piano and Strings, S. 121: I. Quasi moderato – Sostenuto – Molto agitato – Calmato

Malédiction for Piano and Strings, S. 121: II. Un poco più animato – Un poco agitato – Vivo – Sempre più di fuoco

Malédiction for Piano and Strings, S. 121: III. Energico nobilmente – Sempre moderato, a tempo rubato – Sostenuto – Recit. Patetico. Senza tempo – Andante lacrimoso

Malédiction for Piano and Strings, S. 121: IV. Animato con agitazione – Molto animato, quasi presto – Stretto – Strepitoso

Piano Concerto in E-Flat Major, S. 125a (Ed. Rosenblatt/Howard): I. Andantino – Recitativo del pianoforte

Piano Concerto in E-Flat Major, S. 125a (Ed. Rosenblatt/Howard): II. Allegro – Tempo primo

Piano Concerto in E-Flat Major, S. 125a (Ed. Rosenblatt/Howard): III. Andante

Piano Concerto in E-Flat Major, S. 125a (Ed. Rosenblatt/Howard): IV. Tempo primo – Allegro come prima

Piano Concerto in E-Flat Major, S. 125a (Ed. Rosenblatt/Howard): V. Allegro vivace – Più mosso

Grand solo de concert, S. 365: I. Allegro energico – Patetico – Agitato

Grand solo de concert, S. 365: II. Grandioso

Grand solo de concert, S. 365: III. Più mosso – Stretta

Grand solo de concert, S. 365: IV. Andante, quasi marcia funèbre – Tempo giusto. Moderato – Allegro con bravura

Hexaméron on "Suoni la tromba" from Bellini's I Puritani, S. 365b (Orch. Version): I. Inroduction. Extrêmement lent

Hexaméron on "Suoni la tromba" from Bellini's I Puritani, S. 365b (Orch. Version): II. Theme. Allegro marziale

Hexaméron on "Suoni la tromba" from Bellini's I Puritani, S. 365b (Orch. Version): III. Var. 1. Ben marcato (Thalberg)

Hexaméron on "Suoni la tromba" from Bellini's I Puritani, S. 365b (Orch. Version): IV. Var. 2. Moderato

Hexaméron on "Suoni la tromba" from Bellini's I Puritani, S. 365b (Orch. Version): Va. Var. 3. Di bravura, Allegro animato (Pixis)

Hexaméron on "Suoni la tromba" from Bellini's I Puritani, S. 365b (Orch. Version): Vb. Ritornello

Hexaméron on "Suoni la tromba" from Bellini's I Puritani, S. 365b (Orch. Version): VI. Var. 4. Legato e grazioso (Herz)

Hexaméron on "Suoni la tromba" from Bellini's I Puritani, S. 365b (Orch. Version): VIIa. Var. 5. Vivo e brillante (Czerny)

Hexaméron on "Suoni la tromba" from Bellini's I Puritani, S. 365b (Orch. Version): VIIb. Interlude 1. Fuocoso, molto energico – Lento, quasi recitativo

Hexaméron on "Suoni la tromba" from Bellini's I Puritani, S. 365b (Orch. Version): VIIIa. Var. 6. Largo, KK IIb/2 (Chopin)

Hexaméron on "Suoni la tromba" from Bellini's I Puritani, S. 365b (Orch. Version): VIIIb. Interlude 2. [L'istesso tempo]

Hexaméron on "Suoni la tromba" from Bellini's I Puritani, S. 365b (Orch. Version): IXa. Finale. Molto vivace quasi prestissimo

Hexaméron on "Suoni la tromba" from Bellini's I Puritani, S. 365b (Orch. Version): IXb. Finale. Allegro animato

Polonaise brillante, S. 367 (After Weber, Op. 72): I. Introduzione. Adagio – Quasi andante – Animato

Polonaise brillante, S. 367 (After Weber, Op. 72): II. Tempo di Polacca