Mahler: The Symphonies/Kindertotenlieder (14 CDs)
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type of album01/01/2002
release date
Album content
The tracks on this album
- 1.
Symphony No. 1 in D: 1. Langsam. Schleppend
Boston Symphony Orchestra, Seiji Ozawa, Gustav Mahler
- 2.
Symphony No. 1 in D: 2. Kräftig bewegt
Boston Symphony Orchestra, Seiji Ozawa, Gustav Mahler
- 3.
Symphony No. 1 in D: 3. Feierlich und gemessen, ohne zu schleppen
Boston Symphony Orchestra, Seiji Ozawa, Gustav Mahler
- 4.
Symphony No. 1 in D: 4. Stürmisch bewegt
Boston Symphony Orchestra, Seiji Ozawa, Gustav Mahler
- 5.
Symphony No. 2 in C minor - "Resurrection": 1. Allegro maestoso. Mit durchaus ernstem und feierlichem Ausdruck
Boston Symphony Orchestra, Seiji Ozawa, Gustav Mahler
- 6.
Symphony No. 2 in C minor - "Resurrection": 2. Andante moderato. Sehr gemächlich
Boston Symphony Orchestra, Seiji Ozawa, Gustav Mahler
- 7.
Symphony No. 2 in C minor - "Resurrection": 3. Scherzo: In ruhig fliessender Bewegung
Boston Symphony Orchestra, Seiji Ozawa, Gustav Mahler
- 8.
Symphony No. 2 in C minor - "Resurrection": 4. "O Röschen rot! Der Mensch liegt in grösster Not!" (Sehr feierlich aber schlicht) Text from Des Knaben Wunderhorn: "Urlicht"
Boston Symphony Orchestra, Seiji Ozawa, Gustav Mahler, Marilyn Horne
- 9.
Symphony No. 2 in C minor - "Resurrection": 5a. Im Tempo des Scherzos. Wild herausfahrend -
Boston Symphony Orchestra, Seiji Ozawa, Gustav Mahler
- 10.
Symphony No. 2 in C minor - "Resurrection": 5b. Maestoso. Sehr zurückhaltend - Wieder zurückhaltend -
Boston Symphony Orchestra, Seiji Ozawa, Gustav Mahler
- 11.
Symphony No. 2 in C minor - "Resurrection": 5c. Sehr langsam und gedehnt -
Boston Symphony Orchestra, Seiji Ozawa, Gustav Mahler
- 12.
Symphony No. 2 in C minor - "Resurrection": 5d. "Aufersteh'n, ja aufersteh'n wirst du" (Langsam. Misterioso) - Text after F.G. Klopstock: "Auferstehung"
Kiri Te Kanawa, Boston Symphony Orchestra, Seiji Ozawa, Gustav Mahler, Marilyn Horne, Tanglewood Festival Chorus
- 13.
Symphony No. 2 in C minor - "Resurrection": 5e. "O glaube, mein Herz, o glaube" (Etwas bewegter) Text after F.G. Klopstock: "Auferstehung"
Kiri Te Kanawa, Boston Symphony Orchestra, Seiji Ozawa, Gustav Mahler, Tanglewood Festival Chorus
- 14.
Symphony No. 6 In A Minor: 1. Allegro energico, ma non troppo. Heftig aber Markig
Boston Symphony Orchestra, Seiji Ozawa, Gustav Mahler
- 15.
Symphony No. 6 In A Minor: 2. Scherzo (Wuchtig)
Boston Symphony Orchestra, Seiji Ozawa, Gustav Mahler
- 16.
Symphony No. 6 In A Minor: 3. Andante moderato
Boston Symphony Orchestra, Seiji Ozawa, Gustav Mahler
- 17.
Symphony No. 6 In A Minor: 4. Finale (Allegro moderato)
Boston Symphony Orchestra, Seiji Ozawa, Gustav Mahler
- 18.
Symphony No. 3 in D minor - Part 1: 1. Kräftig. Entschieden
Boston Symphony Orchestra, Seiji Ozawa, Gustav Mahler
- 19.
Symphony No. 3 in D Minor / Pt. 2: 2. Tempo di Menuetto. Sehr mässig
Boston Symphony Orchestra, Seiji Ozawa, Gustav Mahler
- 20.
Symphony No. 3 in D minor - Part 2: 3. Comodo. Scherzando. Ohne Hast
Boston Symphony Orchestra, Seiji Ozawa, Gustav Mahler
- 21.
Symphony No. 3 in D minor - Part 2: 4. Sehr langsam. Misterioso: "O Mensch! Gib acht!" 'O Mensch! Gib acht'
Boston Symphony Orchestra, Seiji Ozawa, Gustav Mahler, Jessye Norman
- 22.
Symphony No. 3 in D minor - Part 2: 5. Lustig im Tempo und keck im Ausdruck: "Bimm Bamm. Es sungen drei Engel"
Boston Symphony Orchestra, Seiji Ozawa, Gustav Mahler, Jessye Norman, Tanglewood Festival Chorus, The American Boychoir
- 23.
Symphony No. 3 in D minor - Part 2: 6. Langsam. Ruhevoll. Empfunden
Boston Symphony Orchestra, Seiji Ozawa, Gustav Mahler
- 24.
Symphony No. 4 in G: 1. Bedächtig. Nicht eilen - Recht gemächlich
Boston Symphony Orchestra, Seiji Ozawa, Gustav Mahler
- 25.
Symphony No. 4 in G: 2. In gemächlicher Bewegung. Ohne Hast
Boston Symphony Orchestra, Seiji Ozawa, Gustav Mahler
- 26.
Symphony No. 4 in G: 3. Ruhevoll (Poco adagio)
Boston Symphony Orchestra, Seiji Ozawa, Gustav Mahler
- 27.
Symphony No. 4 in G: 4. Sehr behaglich: "Wir genießen die himmlischen Freuden"
Kiri Te Kanawa, Boston Symphony Orchestra, Seiji Ozawa, Gustav Mahler
- 28.
Symphony No. 5 in C-Sharp Minor / Pt. 1: 1. Trauermarsch. In gemessenem Schritt. Streng. Wie ein Kondukt
Boston Symphony Orchestra, Seiji Ozawa, Gustav Mahler
- 29.
Symphony No. 5 in C-Sharp Minor / Pt. 1: 2. Stürmisch bewegt. Mit größter Vehemenz
Boston Symphony Orchestra, Seiji Ozawa, Gustav Mahler
- 30.
Symphony No. 5 in C-Sharp Minor / Pt. 2: 3. Scherzo. Kräftig, nicht zu schnell
Boston Symphony Orchestra, Seiji Ozawa, Gustav Mahler
- 31.
Symphony No. 5 in C-Sharp Minor / Pt. 3: 4. Adagietto. Sehr langsam
Boston Symphony Orchestra, Seiji Ozawa, Gustav Mahler
- 32.
Symphony No. 5 in C-Sharp Minor / Pt. 3: 5. Rondo - Finale. Allegro
Boston Symphony Orchestra, Seiji Ozawa, Gustav Mahler
- 33.
Symphony No. 7 In E Minor: 1. Langsam - Allegro
Boston Symphony Orchestra, Seiji Ozawa, Gustav Mahler
- 34.
Symphony No. 7 In E Minor: 2. Nachtmusik (Allegro moderato)
Boston Symphony Orchestra, Seiji Ozawa, Gustav Mahler
- 35.
Symphony No. 7 In E Minor: 3. Scherzo
Boston Symphony Orchestra, Seiji Ozawa, Gustav Mahler
- 36.
Symphony No. 7 In E Minor: 4. Nachtmusik (Andante amoroso)
Boston Symphony Orchestra, Seiji Ozawa, Gustav Mahler
- 37.
Symphony No. 7 In E Minor: 5. Rondo - Finale (Allegro ordinario - Allegro moderato ma energico)
Boston Symphony Orchestra, Seiji Ozawa, Gustav Mahler
- 38.
Kindertotenlieder: Nun will die Sonn' so hell aufgeh'n - Live in Frankfurt / 1988
Boston Symphony Orchestra, Seiji Ozawa, Gustav Mahler, Jessye Norman
- 39.
Kindertotenlieder: Nun seh' ich wohl, warum so dunkle Flammen - Live in Frankfurt / 1988
Boston Symphony Orchestra, Seiji Ozawa, Gustav Mahler, Jessye Norman
- 40.
Kindertotenlieder: Wenn dein Mütterlein - Live in Frankfurt / 1988
Boston Symphony Orchestra, Seiji Ozawa, Gustav Mahler, Jessye Norman
- 41.
Kindertotenlieder: Oft denk' ich, sie sind nur ausgegangen - Live in Frankfurt / 1988
Boston Symphony Orchestra, Seiji Ozawa, Gustav Mahler, Jessye Norman
- 42.
Kindertotenlieder: In diesem Wetter - Live in Frankfurt / 1988
Boston Symphony Orchestra, Seiji Ozawa, Gustav Mahler, Jessye Norman
- 43.
Symphony No. 8 in E flat - "Symphony of a Thousand": Part One: Hymnus "Veni creator spiritus"
Boston Symphony Orchestra, Seiji Ozawa, Gustav Mahler, Tanglewood Festival Chorus, Benjamin Luxon, Deborah Sasson, Gwynne Howell, Kenneth Riegel, Judith Blegen, Florence Quivar, Lorna Myers, Faye Robinson, Boston Boys Choir, James Christie
- 44.
Symphony No. 8 in E flat - "Symphony of a Thousand" - Part Two: Final scene from Goethe's "Faust": Poco adagio
Boston Symphony Orchestra, Seiji Ozawa, Gustav Mahler
- 45.
Symphony No. 8 in E flat - "Symphony of a Thousand" - Part Two: Final scene from Goethe's "Faust": "Waldung, sie schwankt heran"
Boston Symphony Orchestra, Seiji Ozawa, Gustav Mahler, Tanglewood Festival Chorus, Benjamin Luxon, Gwynne Howell, Boston Boys Choir
- 46.
Symphony No. 8 in E flat - "Symphony of a Thousand" / Part Two: Final scene from Goethe's "Faust": "Uns bleibt ein Erdenrest"
Boston Symphony Orchestra, Seiji Ozawa, Gustav Mahler, Tanglewood Festival Chorus, Kenneth Riegel, Florence Quivar, Boston Boys Choir
- 47.
Symphony No. 8 in E flat - "Symphony of a Thousand" - Part Two: Final scene from Goethe's "Faust": "Dir, der Unberührbaren"
Boston Symphony Orchestra, Seiji Ozawa, Gustav Mahler, Tanglewood Festival Chorus, Deborah Sasson, Judith Blegen, Florence Quivar, Lorna Myers, Faye Robinson, Boston Boys Choir
- 48.
Symphony No. 8 in E flat - "Symphony of a Thousand" - Part Two: Final scene from Goethe's "Faust": "Blicket auf zum Retterblick"
Boston Symphony Orchestra, Seiji Ozawa, Gustav Mahler, Tanglewood Festival Chorus, Kenneth Riegel, Boston Boys Choir
- 49.
Symphony No. 8 in E flat - "Symphony of a Thousand" - Part Two: Final scene from Goethe's "Faust": "Alles Vergängliche"
Boston Symphony Orchestra, Seiji Ozawa, Gustav Mahler, Tanglewood Festival Chorus, Benjamin Luxon, Deborah Sasson, Gwynne Howell, Kenneth Riegel, Judith Blegen, Florence Quivar, Lorna Myers, Faye Robinson, Boston Boys Choir, James Christie
- 50.
Symphony No. 9 in D: 1a. Andante comodo -
Boston Symphony Orchestra, Seiji Ozawa, Gustav Mahler
- 51.
Symphony No. 9 in D: 1b. - Mit Wut (Allegro risoluto) -
Boston Symphony Orchestra, Seiji Ozawa, Gustav Mahler
- 52.
Symphony No. 9 in D: 1c. -Tempo I
Boston Symphony Orchestra, Seiji Ozawa, Gustav Mahler
- 53.
Symphony No. 9 in D: 2a. Im Tempo eines gemächlichen Ländlers. Etwas täppisch und sehr derb -
Boston Symphony Orchestra, Seiji Ozawa, Gustav Mahler
- 54.
Symphony No. 9 in D: 2b. -Poco più mosso subito -
Boston Symphony Orchestra, Seiji Ozawa, Gustav Mahler
- 55.
Symphony No. 9 in D: 2c. - Ländler, ganz langsam
Boston Symphony Orchestra, Seiji Ozawa, Gustav Mahler
- 56.
Symphony No. 9 in D: 3a. Rondo. Burleske (Allegro assai. Sehr trotzig -
Boston Symphony Orchestra, Seiji Ozawa, Gustav Mahler
- 57.
Symphony No. 9 in D: 3b. - Presto
Boston Symphony Orchestra, Seiji Ozawa, Gustav Mahler
- 58.
Symphony No. 9 in D: 4. Adagio (Sehr langsam)
Boston Symphony Orchestra, Seiji Ozawa, Gustav Mahler
- 59.
Symphony No. 10 in F sharp (unfinished): Andante - Adagio
Boston Symphony Orchestra, Seiji Ozawa, Gustav Mahler
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